Pretty open conversation about how his scoring and music composition in general. One moment near the end that I’d like to comment on. Asked what advice he gives to aspiring film composers (hey, that’s me!), Elfman says his advice is two-fold. On one hand, be able to imitate others’ work, because so often before he finds a composer, the director will install temporary music (or “temp music”) and often gets attached to the temp music ...

Awesome — Congress just endorsed a lie about slavery.